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Sensing Peat Research Residency Jeanna Kolesova 

Current Project

Artistic Research Residency

Jeanna Kolesova - Video still from Memory is an Animal which Barks with various Mouths (2023)

Collaborator/s:

From March to October 2025 artist, filmmaker and researcher Jeanna Kolesova is Sensing Peat’s artistic researcher in residence.


Jeanna Kolesova works at the intersection of artistic research, environmental history and speculative storytelling, exploring the manipulation of history, information, and imperial technologies' impact on human and non-human bodies. Their practice includes film, digital installations, performance lectures, and web projects, examining how narratives shape perception and imprint on landscapes and memories.


Kolesova’s most recent essay On Created Worlds and Plotted Routes (2024) examines the environmental and social transformations driven by peat extraction during the Soviet industrialization, weaving archival research, oral histories, and personal reflections. To read the full essay click here.

Image from Jeanna Kolesova's essay On Created Worlds and Plotted Routes: Female peat workers at work in a peat field. Place, year and author unknown.
Image from Jeanna Kolesova's essay On Created Worlds and Plotted Routes: Female peat workers at work in a peat field. Place, year and author unknown.


During the Sensing Peat Research Residency, Jeanna Kolesova is working on their current project, In Zombie Fires, which examines the shared yet distinct histories of peat extraction across Europe—tracing its impact from Russia and Latvia to Finland and Germany. Through documentary and speculative narration, the film will trace how a single resource has shaped landscapes, identities, and collective memory, while also questioning its role in environmental futures.


For In Zombie Fires Jeanna weaves together archival footage, interviews with industry workers and scientists, and speculative 3D animation to critically examine the nostalgic narratives of industrial pasts. Told through the lens of a wetland spirit, the film moves across time, revealing how peatlands have been sites of both extraction and preservation, memory, and transformation.



As research resident with Sensing Peat at Succow Stiftung and Greifswald Moor Centrum, Kolesova is supported to conduct in-depth research on wetland conservation in Germany—investigating how mires store ecological and cultural histories, the species that inhabit these landscapes, and the possible futures of these ecosystems under different environmental scenarios. Their fieldwork includes filming conservation processes and interviewing scientists, further expanding the film’s engagement with the fragile yet resilient worlds of peatlands.



Image from Jeanna Kolesova's essay On Created Worlds and Plotted Routes: Pravda newspaper. Translation: One norm for myself, another norm for a comrade who went to the front. Field editorial office in Shatura. August 1944
Image from Jeanna Kolesova's essay On Created Worlds and Plotted Routes: Pravda newspaper. Translation: One norm for myself, another norm for a comrade who went to the front. Field editorial office in Shatura. August 1944

Cooperation Partners:

Succow Stiftung
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